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La viola da mano en Italia

Dugot, Joël. “Viola da mano o viola d’arco: il caso degli angeli musicante dell’organo di Gonesse” Liuteria Musica Cultura 29 (Sept, 1997): 23-29.

Fabris, Dinko. “Tradizione e innovazione nella musica strumentale a Napoli durante l’età spagnola (1503-1707)”. Cultura e Scuola 124 (Oct-Dec 1992): 71-83.

Fabris, Dinko. “Vita e opera di Fabrizio Dentice, nobile Napolitano, compositore del secondo cinquecento”. Studi Musicali 21 (1992): 61-113.

Fabris, Dinko. Da Napoli a Parma: itinerari di un musicista aristocratico. Opera vocali di Fabrizio Dentice, 1530ca-1581. L’Arte Armonica, Serie II, Musica Palatina, vol 3. Roma: Accademia Nazionale di Santa Cecilia – Milano: Skira, 1998.

Fanni, Enrico y Roberto Milleddu. “Strumenti musicali, strumentisti e costruttori nella Cagliari del Seicento”. Retorica degli affetti e strumenti nella musica del diciassettesimo secolo. Ed. G. N. Spanu. Quaderni della Scuola Civica di Musica di Quartu S. Elena 2 (1999): 47-75.

Minamino, Hiroyuki. “Neapolitan (Viola da mano) Tablature”. Lute Society of America Quarterly 34/3 (Agosto, 1999): 8-18.

Minamino, Hiroyuki. “The Viola da Mano in Renaissance Italy: A Synopsis”. Lute Society of America Quarterly 34/1 (1999): 6-9.

Minamino, Hiroyuki. “Where has fortune gone: Music-iconographical problems in Schultzbach’s viola da mano books”. RIdIM Newsletter 22/1 (Spring, 1997): 31-

Prizer, William F. “Lutenists at the Court of Mantua in the Late Fifteenth and Early Sixteenth Centuries.”Journal of the Lute Society of America 13 (1980): 5-34.


La vihuela en América

Aretz, Isabel. “Guitarras, bandolas y arpas españolas en América Latina”. España en la Música del Occidente. Ed. Emilio Casares, José López-Calo y Ismael Fernández de la Cuesta. Madrid: Ministerio de Cultura, 1987. Vol.1, 333-48.

Corona-Alcalde, Antonio. “La vihuela, el laúd y la guitarra en el Nuevo Mundo”. Revista de Muscología 16 (1993): 1360-72

Corona-Alcalde, Antonio. “The popular Music from Veracruz and the survival of instrumental practices of the Spanish Baroque” Ars Musica Denver 7, no 2 (Spring 1995): 39-68.

Guzmán-Bravo, José Antonio. “Mexico, home of the first musical instrument workshops in America”. Early Music 6 (1978): 350-55.

Ohlsen, Oscar. “Antecesores de la guitarra en América Latina”. Ensayo inédito, Caracas, enero 1978.

Poulton, Diana. “The vihuela in Latin America.” Lute Society Journal 22 (1982): 15-16.

Sarno, Jania. “El tráfico de instrumentos y libros musicales de España al Nuevo Mundo a través de documentos del Archivo General de Indias en Sevilla: notas para el comienzo de una investigación”. Musique et Influences Culturelles Réciproques entre l’Europe et l’Amerique Latine du XVIeme au XXeme siècle. Ed. René de Maeyer. Tutzing: Schneider, 1986. 95-108.

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