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Instrumentos — Instruments

Abondance, Pierre. “La vihuela du Musée Jacquemart-André: Restauration d’un document unique”. Revue de Musicologie 56 (1980): 57-69.

Bermúdez, Egberto. “La vihuela de la Iglesia de la Compañía de Jesús de Quito”. Revista de Musicología 15 (1992): 97-105.

Bermúdez, Egberto. “La vihuela: Los ejemplares de Paris y Quito”. La guitarra española-The Spanish guitar. Madrid: Sociedad Estatal Quinto Centenario, 1991. 25-47.

Bordas, Cristina et al. La Guitarra Española-The Spanish Guitar. Madrid: Sociedad Estatal Quinto Centenario, 1991.

Bordas, Cristina. “La construcción de vihuelas y guitarras en Madrid en los siglos XVI y XVII”. La guitarra en la historia 6 (1995): 47-67.

Burzik, Monika. Quellenstudien zu Europaisichen Zupfinstrumenten formen: Methodenprobleme, kunsthistorische Aspekte und Fragen der Namenszuordnung. Kassel: Gustav Bosse Verlag, 1997.

Chase, Gilbert. “Guitar and Vihuela: a clarification”. Bulletin of the American Musicological Society 6 (1942).

Cook, Frederick. “A Vihuela in Quito?”. Guitar and Lute 9 (April 1979): 11-12.

Corona-Alcalde, Antonio “The vihuela and the guitar in sixteenth-century Spain: A critical appraisal of some of the existing evidence”. The Lute 30 (1990): 3-24.

Corona-Alcalde, Antonio. “La vihuela et la guitare”. Instruments de musique espagnols du XVIe au XIXe siècle. Europalia 85 España. Bruxelles: Societé Generale, 1985. 73-91.

Corona-Alcalde, Antonio. “The Viola da mano and the Vihuela, Evidence and Suggestions about their Construction”. Lute Society Journal24 (1984).

Dugot, Joël. “La Vihuela de Paris: Retour aux sources”. Los instrumentos musicales en el siglo XVI. Actas del I Encuentro Tomás Luis de Victoria y la música española del siglo XVI (Avila, mayo 1993). Avila: Fundación Cultural Sta. Teresa, 1997. 113-21.

Dugot, Joël. “Un nouvel exemplaire de vihuela au Musée de la Musique?”. Luths et luthistes en Occident: Actes du Colloque 13-15 mai 1998. Paris: Cité de la Musique, 1999. 307-317.

Gill, Donald. “A vihuela in Ecuador”. Lute Society Journal 20 (1978): 53-55.

Gill, Donald. “Vihuelas, violas and the Spanish guitar.” Early Music 9 (1981): 455-62.

Guitares: Chefs-d’oeuvre des collections de France. Paris: La Flûte de Pan, 1980.

Heitland, Winfried. “Zur Rekonstruktion historischer Musikinstrumente. Das Beispiel der Vihuela da mano”. Musica 33/1 (1979): 27-30.

Hervás, Francisco. “Vihuela de piezas con taraceas”. Música oral del Sur 2 (1996): 250-56.

Kambe, Yukimi. “Viols in Japan in the Sixteenth and Early Seventeenth Centuries”. Journal of the Viola da Gamba Society of America 37 (2000): 31-67.

Llorens Cisteró, José María. “Estudio de los instrumentos musicales que aparecen descritos en la relación de dos festines celebrados el año 1529 en la corte de Ferrara”. Anuario Musical 25 (1970): 3-26.

Moser, Wolf. “Über die Unterschiede zwischen Gitarre und Vihuela bei Bermudo” Gitarre + Laute 2.5 (1980): 32-43.

Ohlsen, Oscar. “A Recently Discovered Vihuela in Quito, Ecuador”. Lute Society Journal 18 (1976).

Otterstedt, Annette. The Viol: History of an InstrumentTrad. Hans Reiners. Kassell: Bärenreiter, 2001.

Paniagua, Carlos. “La Guitarra y la vihuela en el renacimiento”. La guitarra en la historia 1 (1990): 21-44.

Poulton, Diana. “A vihuela in Ecuador”. Lute Society Journal 18 (1976): 45-46.

Poulton, Diana. “Notes on the Guitarra, Laud and Vihuela”. Lute Society Journal 18 (1976): 46-48.

Poulton, Diana. “The Lute in Christian Spain”. Lute Society Journal 19 (1977): 34-49.

Prizer, William F. “Isabella d’Este and Lorenzo da Pavia, master instrument-maker”. Early Music History 2 (1982): 87-127.

Prynne, Michael. “One surviving Vihuela de mano”. Galpin Society Journal 16 (1963): 22-27.

Rault, Christian. “Les modifications structurelles radicales des instruments à cordes au XVIè siècle”. Los instrumentos musicales en el siglo XVI. Actas del I Encuentro Tomás Luis de Victoria y la música española del siglo XVI (Avila, mayo 1993). Avila: Fundación Cultural Sta. Teresa, 1997. 231-42.

Rey, Pepe. “Nominalia: instrumentos musicales en la literatura española desde La Celestina (1499) hasta El Criticón (1651)”. Los instrumentos musicales en el siglo XVI. Actas del I Encuentro Tomás Luis de Victoria y la música española del siglo XVI (Avila, mayo 1993). Avila: Fundación Cultural Sta. Teresa, 1997. 41-100.

Rey, Juan José y Antonio Navarro. Los instrumentos de pua en España. Bandurria, cítola y laúdes españoles. Madrid: Alianza Editorial, 1993.

Reynaud, François. “Les luthiers tolédans au XVIe siècle”. Actas del Coloquio Toléde et l’expansion urbaine en Espagne (1450-1650).Madrid: Casa de Velázquez, 1990. 39-48.

Rioja, Eusebio. “La guitarra malagueña a la luz de sus documentos”. La guitarra en la historia 1 (1990): 67-92.

Romanillos, Jose Luis. “The vihuela in Spain and the instrument in the Jacquemart André Museum”. Classical Guitar 5, no. 7 (1987): 39-42.

Romanillos, José Luis. “The Vihuela Makers of Toledo, 1617.” American Lutherie 32 (Winter, 1992): 48-51.

Romanillos, José Luis y Marian Harris Winspear. The Vihuela de Mano and the Spanish guitar: A Dictionary of the Makers of Plucked and Bowed Musical Instruments of Spain (1200-2002). Guijosa (Guadalajara): Sanguino Press, 2003.

Rooley, Anthony. “Orpheus with his Vihuela da Mano and Gittern”. Guitar (May 1975): 18-19.

Schneider, Hugo. “Über den Nachbau einer Vihuela”. Instrumentenbau: Bericht uber das 7. Symposium zu Fragen des Musikinstrumentenbaus: Zupf- und Schlaginstrumente des 17. und 18. Jahrhunderts, Zupfinstrumente: Michaelstein 7./8.11.1986.Michaelstein: Die Forschungsstatte, 1987.

Segerman, Ephraim “Vihuela string quality and thickness, and the Paris vihuela”. FoMRHI Quarterly no. 85 (Oct 1996): 30.

Ward, John. “The Name and Nature of the Vihuela”. Journal of the American Musicological Society 1 (1948): 53.

Weisman, Maish. “The Paris vihuela reconstructed”. Galpin Society Journal 35 (1982): 68-77.

Woodfield, Ian. The Early History of the Viol. Cambridge: Cambridge University Press, 1984.